A variable rotation speed allows the cooling rate to be adjusted to meet demand, quietening the fan and saving energy when full speed is not required. Fan assemblies with this control input provide the ability to adjust the rotational speed of the fan without changing the input voltage delivered to the cooling fan assembly. Control input – a pulse-width modulation (PWM) input signal, used when the cooling fan assembly has an internal motor driver circuit.Sense (or tachometer) output from fan – outputs a signal that pulses twice for each revolution of the fan as a pulse train, with the signal frequency proportional to the fan speed.Vcc (Power) – nominally a +12 V supply, though it may be variable depending on fan type and desired fan rotation speed.The first two pins are always used to deliver power to the fan motor, while the rest can be optional, depending on fan design and type: The common cooling fans used in computers use standardized connectors with two to four pins. If done properly fan noise can be drastically reduced. This must be done cautiously, as excessive reduction in speed may cause components to overheat and be damaged. Since fan noise increases with the fifth power of the fan rotation speed, reducing revolutions per minute (RPM) by a small amount potentially means a large reduction in fan noise. Since they must move more air through the same area of space, fans will become more noisy.įans installed in a PC case can produce noise levels of up to 70 dB. The byproduct of increased heat generation is that the fan(s) need to move increasing amounts of air and thus need to be more powerful. Power supplies needed forced cooling, and power supply fans also circulated cooling air through the rest of the PC with the ATX standard. Processors in most early x86-based computers, up to some of the early 486s, did not need active ventilation. Heat production varies with system load, where periods of compute-intensive activity generate much more heat than the idle time does. Computers emit this electrical power as heat generated by all major components. 3.2.4 Integrated or discrete linear regulatorsĪs modern PCs grow more powerful so do their requirements for electrical power.3.2.3 Voltage modification ("volt modding").
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You're going to stand in line no matter what time you attend the annual event, however, lines are usually longest on the weekend. When should I attend the Jack O' Lantern Spectacular? There are a couple of steep slopes on the trail, but according to its website, "it's really up to the customer and their comfort level with various grade levels." The site also notes the trail is compacted with crushed limestone, which allows for easier mobility. Drop-off will also be available near the entrance. Those with disabilities will find parking near the amphitheater box office, with a valid parking permit. If the show is delayed or postponed due to weather, tickets issued for that particular night will be honored on another day. Wear a raincoat! The show goes on, rain or shine. You may like: Has the drought carved into the Louisville region's pumpkin supply? The event is held at Iroquois Park, 1080 Ampitheather Road in Louisville. Related: The Jack-O-Lantern Spectacular is bringing a winter wonderland to Louisville Where is the Jack O' Lantern Spectacular held? While there is an end time, the trail does not close until everyone who has purchased a ticket for that night has a chance to go through the trail. The Jack O' Lantern Spectacular runs from Oct. The monthlong Halloween display features more than 5,000 illuminated and carved pumpkins set up in themed groups along a 1/3-mile-long trail at Iroquois Park. So here's everything you need to know about the 2019 Jack O' Lantern Spectacular: What is the Jack O' Lantern Spectacular? The 2019 Jack O'Lantern Spectacular's enchanted gates are open. And as we've learned from previous years, from pint-sized pumpkins to granddaddy gourds, this popular attraction is a not-to-be-missed autumn tradition for all ages. Learn more.It's the time of year when the forest behind Iroquois Amphitheater transforms into a magical canvas of twinkling lights and artistic wizardry. Jack O’ Lantern Spectacular ends November 2 nd.ĭiscount: Monday – Wednesday, tickets are $10 after 10 p.m. There are just a few weeks left to come out and enjoy a truly unique fall event! There are numerous photos and videos floating around the web taken by JOLS visitors (we love that by the way!), but nothing can quite capture the experience as actually being there. “I mean, you just can’t imagine what it’s like to stroll through the dark woods surrounded by so many glowing, intricately carved pumpkins. “ – They have 25 years of experience designing these luminary art galleries along any landscape, and they did a magnificent job of it at Iroquois Park.” – “We were just all very impressed by the handicraft of the artists of Passion for Pumpkins, Inc. Here is what some of our online critics are saying: So, it is not untrue to say that Louisville’s Jack O’ Lantern Spectacular (JOLS) event is, in fact, spectacular! We are receiving a lot of comments on how much visitors are enjoying the event and amazed by not only how many carved pumpkins there are, but the quality of artistry and the experience as a whole. The definition of “Spectacular” as defined by Merriam-Webster is:Ĭausing wonder and admiration : very impressive His mother bitterly complained that she wished that her son would “accumulate capital instead of just writing about it.” Even as he extolled the evils of capitalist industry, there is no evidence he ever visited a factory at any point in his miserable life. (And today, Black Lives Matter, a Marxist organization, has received almost $2 billion in corporate contributions.) Marx was allergic to work, it seems, and never held a steady job. Lazy and like socialists of any era, Marx did not mind accepting monetary handouts from wealthy capitalists while criticizing the means by which they had acquired the wealth. (So it is today with Black Lives Matter, where one once found all of this restated in oblique terms on their website.) No one could justly say he was not forewarned. Much as Mein Kampf (1925) would be a bald statement of Hitler’s intentions should he ever attain power, The Communist Manifesto is likewise clear in stating the objectives of communists (i.e., socialists) should they ever attain power. The bourgeois clap-trap about the family and education, about the hallowed co-relation of parent and child, becomes all the more disgusting, the more, by the action of Modern Industry, all family ties among the proletarians are torn asunder, and their children transformed into simple articles of commerce and instruments of labour. In another passage of that dangerous little book, he writes,Ībolish the family!… The bourgeois family will vanish as a matter of course when its complement vanishes, and both will vanish with the vanishing of capital…. Marx had sought the overthrow of governments throughout Europe, and in the ensuing turmoil of 1848, he was forced to flee the continent. Of course, revolution had always been on his mind. The man with a beard so wild that it might have landed him on a Kansas album cover were he born a century later had revolution on his mind when he moved from Paris to London in 1849. It was into this combustible atmosphere that Karl Marx stepped. Black factory smoke choked the air, and coal dust filled lungs. The urban poor crowded the slums and populated the novels of Charles Dickens. The island nation was in the throes of the bare-knuckled phase of the Industrial Revolution, which brought with it a special kind of human degradation. Whether it was David Livingstone searching for the source of the Nile or Charles Darwin writing On the Origin of Species by Means of Natural Selection, Britain was at the forefront of all that was considered progress.īut the Britain of this era convulsed with the problems endemic to massive social change - so much so that an air of revolution lingered like some ominous storm gathering on the horizon, threatening to engulf this peaceful kingdom as it had intermittently done on the continent since the French Revolution in 1789. With Queen Victoria’s missionaries to civilize it and her ministers, armies, and navy to rule it, the British Empire was at its zenith so that the sun literally never set upon it. The London of Marx and Spurgeon was the center of world governance and epoch-defining ideas. While Marx was preaching salvation through bloody revolution, Spurgeon, on the other side of the city, was preaching salvation through the blood and grace of Jesus Christ. Moreover, they were at the height of their powers at the same time. Both were, in a sense, evangelists contending for the souls of men with their competing visions of humanity. It is extraordinary to me that Karl Marx (1818–83) and Charles Spurgeon (1834–92) lived and worked in the same city at the same time. In that case, you can try to delete temporary files manually to check if that helps to fix the problem. Way 3: Delete Temporary Files in Windows 10Ī corrupted temporary file on the computer may cause the problem of Disk Cleanup not opening or not working properly in Windows 10. Step 3: Reboot the computer after the process is finished and then try Disk Cleanup Again. Step 2: Run the command of sfc /scannow in the command prompt and then follow the instructions that appear on the screen to finish the scan. Step 1: Press the Windows key and the X key on the keyboard simultaneously and then select Command Prompt (Admin) from the pop-up menu. Way 2: Run an SFC (System File Checker) Scan Step 3: Restart your computer and run Disk Cleanup again to see if that helps. Then click the button of Run the troubleshooter to start the troubleshooting process. Step 2: Select Troubleshoot on the left panel and find Windows Update option on the right panel. Step 1: Go to Settings in your computer and select Update & Security. If Disk Cleanup in Windows 10 not working, you can launch the Windows Update troubleshooter to troubleshoot the issue. Way 1: Run the Windows Update Troubleshooter
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This website is tested against Web Content Accessibility Guidelines (WCAG) 2.1. How accessible this website isĪll of the pages within the website aim to conform to the Accessibility standards which are set out by the World-Wide Web Consortium (W3C) and other accessibility guidance. The structure was created to simulate a real practice, which seeks improved usability for the patients.ĪbilityNet has advice on making your device easier to use if you have a disability. We’ve also made the website text as simple as possible to understand. Read most of the website on devices without a screen, like a braille computer.Listen to the website using a screen reader, including the latest versions of JAWS, NVDA, and VoiceOver.Navigate the website using speech recognition software.Navigate the website using just a keyboard.Zoom in up to 200% without the text spilling off the screen. Change colours, contrast levels and fonts.For example, that means you should be able to: We want as many people as possible to be able to use this website. … Once you’re in it, you’re a true believer, there’s really no other way to do it in your mind.” “There’s the Air Raid family, there’s the run-and-shoot family. “I think there’s a lot of guys who’ve played in it, who are trying to get into coaching and right now, I don’t know how many other people are doing it,” Rolovich said. The Cougars, with a freshman quarterback, Jayden de Laura, who’s fairly articulate in the run-and-shoot himself, will open against Oregon State in Corvallis at 7:30 p.m. That springboarded Rolovich to Washington State, where in less than 48 hours, he’ll not only be the first coach to unveil the offense in the modern Pac-12, but also the first with a chance to establish its validity in a Power Five conference. He taught it as an offensive coordinator/quarterbacks coach in Honolulu from 2008-11, then resuscitated it as a head coach at his alma mater from 2018-19, leading the Rainbow Warriors to 18 wins, a Mountain West title game appearance and plenty of run-and-shoot revelry. The first-year Washington State coach, a run-and-shoot pupil in more ways than one, played in the offense two decades ago at the University of Hawaii, peaking as a college quarterback in 2001 with eight touchdown passes in a historic 72-45 win over BYU. The offense conceived by Tiger, popularized by Mouse and refined by June is now left in the hands of Rolo. “The problem is, you have to have coached it to understand all the intricacies and know what to do.” “Well, whenever it’s been somewhere, it is the top offense,” Jones, the former SMU, Hawaii and NFL coach – and subject of the aforementioned headline – said over the phone recently. One year later, Grantland, the sports and pop culture blog owned and operated by ESPN from 2011-15, closed up shop.Īnd the run-and-shoot? Its vitals are stable, and the offense derived from a 1965 hardcover book written by Glenn “Tiger” Ellison is preparing for one of its most important auditions yet, more than a half-century later. “June Jones’ Retirement, and the Lasting Influence and Likely End of the Run-and-Shoot Offense.” The headline came from a 2014 article in Grantland, depicting the inevitable demise of an offensive system that kicked around for a number of decades, changed the way many looked at football, but never had the stamina or substance to grab a permanent seat in the NFL, let alone grow in popularity at the college level. Then the fine strains and colours of the piece gradually subside (the score quotes the beautiful line: "A kite in the same place in yesterday's sky"), and there is a chorale-like coda.Music notation is a visual record of musical sound or a set of visual instructions for the performance of music. From this point the music takes flight, in gusting movements and crossings of kites (there is one moment where one breaks free in a flute cadenza), straining towards the principal climax. After a first climax a sequence of wide-spaced chords is identified as the o-dako kite (the metaphor, but not the music, is Japanese), and a little later the kenka-dako, or fighting kite, is introduced by incisive sforzatos from flute and oboe. What follows is an introduction allusively superscribed "(…floating world)" and bringing forward some of the main ideas. In medieval times the minstrel would shout the word 'Hwaet' to silence the throng in the mead hall (accompanied by a chord on his harp), thus informing them that his epic poem was about to begin". A charge has activated the air and heightened our sense of expectancy. No description of the opening could come near to his own: "The piece begins with an almost silent high sound like a delicate disturbance of the air, which is electrified by the harsh flute shriek and double bass snap pizzicato. It is this combination of precision and caprice, coupled with his way of working with sharply coloured, infinitely transformable kites of notes, that places his work at the end of a line traceable back through Ligeti and Birtwistle to Debussy and Stravinsky. As he said himself: "I've always liked the idea of music being essentially a kind of heightened improvisation, the musicians appearing to improvise my thoughts on a particular issue in a very precise way, but with the capricious and surreal operational methods of dream". Perhaps above all, there is something precarious as well as elegant in Holt's flying of his musical kites: the music has to contain the unpredictability of the wind, but also the continuity of the same objects against the same sky. Like kites, too, they are subject to forces from outside they can turn, fly further off, suddenly come near. Like kites, his musical ideas are objects defined by the forces within them intervals, dynamic intensities, tensions between different instruments or registers. One of the creative arts of the twentieth century is that of writing composition titles, and some of the results have been not only strikingly apt to the music in question but also suggestive of a whole new way of hearing Stravinsky's Agon and Boulez's Eclat are examples so is Simon Holt's Kites, the name he found for his fifteen-minute piece for quintets of winds and strings. The piece closes as it began with a light breeze blowing shoreward from the ocean. The kite plummets into the river (over which the competition takes place) and the painted "washi" paper dissolves leaving the kite bones to be dragged out and used again. After the "climax", at which one of the kites has its' flying line cut, the music becomes extremely static due to the time-stopping nature of the act of kite flying a feeling expressed in Buson's haiku: Along the way the O-dako kite is involved (the largest of Japanese kites often requiring up to 40 people to help fly it!). Kites (scored for wind quintet and string quintet) came about due to my interest in Japanese things, and features a kite fight preceded by an introduction of fragile, slow and serene "scene-setting" music. I love the eraser and the cleanness of the writing pen. What are your favorite Whiteboard.fi features and why? Leave occasional blank pages to cope with unplanned asides.Don't try to write too much on each screen.Label the names of your whiteboards using a future-proof and clearly thought-through system that enables you to find them easily.What would you recommend to other teachers who are only starting to use Whiteboard.fi? I used the saved evidence from this to help for judgements about levels of progress. The speed at which this was happening meant that they didn't have time to communicate out of my sight about the 'right' answer and so I felt that I got a more genuine snapshot of what they could individually do. Whilst they didn't have a graphics tablet to write with like I did, their mouse could draw lines to link items together. Using the 'push' function to engage students during remote learning was fantastic. What do your students love most about Whiteboard.fi? The variable writing width and eraser options are in my opinion the best that I have found. In summer 2020 I tried using several other types of other software, but Whiteboard provides the smoothest writing surface with no glitches. In a classroom before covid, I would have written on the static whiteboard in the classroom which then would be lost afterward. I would feel completely wrong-footed and underprepared to cope with the various scenarios thrown our way each day1īefore Whiteboard.fi, which solutions did you use for those scenarios, and what was challenging? How would you feel if you could no longer use Whiteboard.fi? Why? Students commented after remote learning 'your lessons have been the most like normal lessons'. For example, have your students’ grades improved? List some improvements you have recorded. I would be delighted to see folders within folders in the future. It was a great step forward when 'folders' were introduced so that I could store the different whiteboards for different classes. What overall improvements have you seen with Whiteboard.fi? Students appreciate being able to 'go back a page' - once a static whiteboard is wiped, there's no going back. I am never without a board pen (as long as I have my graphics tablet!). When I write on Whiteboard.fi my handwriting looks like it does on a real whiteboard. What is the best thing about using Whiteboard.fi in a classroom setting? Using Whiteboard.fi is now my normal way of working, having written on a whiteboard in the classroom for 25 years." Having been working in-school for many months, where at 5 minutes notice the lesson may need to be live-streamed for students who had been set home, I wanted to have a set-up which I would be using in the classroom day to day as normal and then the addition of joining the lesson remotely would pose no additional burden for the students or for me. Used in conjunction with a platform for sharing the skeleton and annotated whiteboards before and after a lesson, for all students, makes reviewing ideas afterward, including for students who missed a lesson, really easy. This makes the lesson feel very familiar when I annotate them during the discussion of the lesson. For students with special needs, the slides can then be easily pdf-ed and sent in advance. What are your main scenarios and objectives for using Whiteboard.fi?īefore a lesson, I can prepare the skeleton of what the hour-long lesson will look like. How did you originally discover Whiteboard.fi?ĭuring the first few months of this academic year, I tried, along with other colleagues, many different platforms and this is the one that I chose and I am delighted to have made that choice. I wanted to use a platform that made the lessons feel as similar as possible to in-school learning from the students' point of view and as reassuring as possible from my point of view to mitigating all the other technological uncertainties that teachers were managing lesson, by lesson. I have used Whiteboard.fi over the last few months to help manage teaching classes of 30 students whilst being based as the teacher, at home. What is the biggest challenge you face in your role? Year 9-13 in the UK, so students aged 14 to 18 years old. There’s the aforementioned tonal tightrope he walks on “Infinite,” but also moments of playfulness: the way he stretches “news” and “shoes” on the opening lines of “New Illuminati,” or the sneering glee when, on “Welcome to Knightsbridge,” he calls himself a “true gentleman” before suggesting Kate Middleton call him when she gets bored with her prince. Its most uptempo beats––“New Illuminati,” “Letter to Falon,” “Road to Perdition”––are its weakest, and sound uniformly cheap.Īs always, Jay’s a deceptively crafty vocalist. That was officially titled Act I: Eternal Sunshine (The Pledge), perhaps an indication that this trilogy was meant to have slightly left-of-center music. This puts the album in opposition to the frequently punishing Testimony, and to many of the signature Jay Electronica songs from the late 2000s and early 2010s––though not to the project that made him a minor star, his 16-minute session over the various movements of Jon Brion’s score from Eternal Sunshine of the Spotless Mind. The somber tone is reflected in the production: large swaths of Act II are built on soft drums or absent them all together. For years, the line about “a man on a hectare of land like a fortress” evoked a cheery pastoral image in the context of Act II, I wonder whether “fortress” might be swapped for “prison.” That name on that birth certificate, that ain't the real me”Įven “Life On Mars,” a sweet song which is a minor variation on an internet release called (Erykah Badu’s Twitter name)––and which is built around the same sample as Kanye West’s “Bound 2”––here is cast in a grimmer light. To the lawyers, to the sheriffs, to the judges, But Act II, his would-be magnum opus recorded nearly a decade ago, often takes self-doubt and depression as its subject, in stark opposition to those more assured early songs. In his music through about 2010, Jay’s dual existence between the metaphysical and the unnervingly modern seemed to give him an energy and clarity of purpose. Its title comes from Michael Caine’s opening monologue in The Prestige.Įarlier this year on Testimony, Jay knowingly addressed his decade-long absence, rapping about the pressure he felt to deliver on his considerable promise (“ Hov hit me up, like, ‘What, you scared of heights?’”). (In Discord chats, Jay’s representatives first said they would seek legal action to block the release, but on Twitter the artist was gracious about the album’s reception, and later uploaded it to Tidal.) This is the album that Jay had originally slated for Christmas 2009 the version that appeared over the weekend has the same tracklist as was announced in 2012. The New Orleans-born rapper claimed to be of the spiritual plane, but also turned out to be of this world: After dating the heiress Kate Rothschild, he spent more time in the British tabloids than the studio in the next decade, delaying a much-anticipated debut album to the point where everyone gave up on him, only to finally reappear with a very good Jay Z-assisted album, A Written Testimony, earlier this year.īut earlier this week, that long-lost debut, Act II: The Patents of Nobility (The Turn) finally leaked online after a group of internet users raised about $9,000 to buy and release it, after it had apparently been lifted by hackers. On 2009’s “Exhibit C,” his breakthrough and still biggest hit, Jay Electronica writes his young adulthood as a parable––that of a drunk, depressed wanderer who “shines like grew up in a shrine in Peru,” but who sleeps on trains, starving, mad at Okayplayer headlines. The fact that it is not attached to any ethnic group makes it a very good candidate as an official lingua franca in the Federation. Indeed, using Nigerian Pidgin English is increasingly popular among young people, many writers, politicians and musicians. Nowadays the use of Nigerian Pidgin English is more widespread even among educated people and perceived as more Nigerian than English. Francesco Goglia who is an internationally acclaimed researcher and lecturer, offered his inputs on the Nigerian Pidgin English: But later as it began to gather momentum, the language became an inextricable part of the society. It is generally known that in the past, the use of Nigerian Pidgin English was perceived to be for non-educated people and seen as very low-graded. The Pronunciation Problem of Nigerian Speakers of English Perception of Pidgin English in Nigeria In the country, both the literates, such as the president, campaigning politicians, lawyers, doctors, and non-literates speak and understand pidgin, though it is mostly used in informal situations and English is used for official purposes and the medium of education.įrom Linda’s insightful explanation, we can decipher the originality and fundamental relevance of the language to every individual in the country. History of Nigerian Pidgin English and Elites After the departure of the missionaries, this lingua franca did not go with them but remained and is the most widely spoken language in Nigeria today compared to English. It is broken English like Patois and Creole, spoken along the coast of West Africa and it has extended to the diaspora, due to Nigerian migrants. Nigerian Pidgin English (NPE), originated as a lingua franca for trade purposes amongst the Nigerians and the Portuguese merchants during the 17th century. These languages came to serve the linguistic need there, by giving birth to the Cameroon Camfranglais (mixture of French and English) spoken by the youth today. For trade and religious purposes with no language in common they created a form of communication with bases from the European language, giving birth to most African languages: such as Creole, Pidgin, and Patois. In a piece published by Linda Nkwocha Okeh, she wrote:ĭuring the European quest for new markets and raw materials in the 17th Century, many Portuguese missionaries and traders arrived on the shores of Jamaica and West and Central African countries like: Sierra Leone, Cameroon and Nigeria were largely visited by the missionaries. The history of Nigerian Pidgin English can be dated back to the 17th century during the trade that took place amongst Nigerians and the Portuguese merchants. This is despite the communication barrier it has broken between different ethnic groups and religious organizations. Although it is commonly used throughout the nooks and crannies of the country, it has not been granted any official status. In the midst of all this, Nigerian Pidgin English is another thriving English-based creole language that is widely spoken as a lingua franca across Nigeria. So, how about the history of Nigerian Pidgin English? The country is estimated to have over 530 listed languages spoken, but English, to date, remains the official language that is mostly spoken by everyone in the country. This country Nigeria, which has been globally recognized as the GIANT OF AFRICA, owing to the large population and economy, has been home to hundreds of indigenous languages. Pidgin English in NigeriaĪs of now in 2021, Nigeria, the most populous black nation on Earth with the fastest growing economy in Africa and the highest GNP on the continent is a home to over 200 million individuals. In this article, I address the history of pidgin English and perceptions of the language in Nigeria. Nigerian Pidgin English is an English-based creole language that is widely spoken throughout Nigeria. |
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